Thursday 17.11.2011

TOURING IN SCANDINAVIA AND THE BALTICS – Bridging regional and international perspectives

The seminar presents new sustainable models for regional and cross-border co-operation and opens discussion on international mobility outside big cities. The speakers are professionals from the field of theatre, dance, circus and performance art from Nordic and Baltic States.

  • Can a touring production be site specific?
  • Not all the children are born in the cultural capitals – raising new audiences for the ”difficult” art
  • Leaving the black box – touring outside traditional venues
  • Opportunities for touring and mobility: festivals, networks, residencies, venues
  • Case study: new models for mobility in the performing arts
  • Spread the news: platforms for communication and networking

In co-operation with Theatre Touring Network Project TEKIJÄ, Baltic Circle, Tampere University The Centre for Practise as Research in Theatre, Esittävän taiteen tila ry, TAIVEX, Ateneum Art Museum, TINFO − Theatre Info Finland

Supported by European Social Fund

PLEASE NOTICE: When you have registered to the seminar you will get the tickets to every performance at the Baltic Circle Festival for 10 €.

SEMINAR PROGRAM

DAY 1

10.15 Registration and Coffee

11.00-11.15 Welcome and Introduction

Eva Neklyaeva,  Baltic Circle Festival / TEKIJÄ project

Johanna Hammarberg,  seminar moderator

Martina Marti,  seminar moderator

11.15-12.45 New Audiences Outside the Old Cultural Capitals

Jesper de Neergaard,  Artistic Director, Bora Bora (Denmark) -  “Go West” – gold digging or artistic necessity

Joanna Sandell,  Botkyrka Konsthall (Sweden)

Annamari Karjalainen,  Framil network / Regional Arts Council of South-West Finland (Finland) – Village Stories

12.45-13.30 Break

13.30-15.00 On the Fast Track Between Local and International

Ragnheiður Skúladóttir, General Manager, Lokal Festival (Iceland) – From local to global – survival tactics in a micro state

Gundega Laivina,  Director, International Festival of Contemporary Theatre Homo Novus, New Latvian Theatre Institute (Latvia) – Touring ideas and concepts rather than sets and ensembles

15.00-15.15 Break

15.15-16.45 Under the Magnifying Glass: Cases from the Periphery 2011

Kristin Eriksen Bjørn, Innovative marketing, RadArt (Norway) – The search for a new audience – Notes from RadArts project

Janne Saarakkala, director, scriptwriter & Esitys-magazine editorial staff member – Study on the Uncharted Live Art of the Finnish Backwaters

Goda Giedraityte, Producer and Manager, Fish Eye (Lithuania) – Working within the field of contemporary art promotion  – always in the boundary zone?

16.45-17.00 Conclusions of Day 1


DAY 2

10.30 Coffee

11.00-13.00 ”Interesting, but too difficult for our audience”

Lena Kela, performance artist (MA in Theatre and Drama) and regional artist of performance art – The Performance Art Bank – a new database of Finnish Performance and Live Art

Pauliina Feodoroff, director (Finland) – North meets South, South meets North

Per Ananiassen,  Artistic and General Manager, Theaterhuset Avant Garden in Trondheim (Norway) – Between artist and audience

13.00-13.30 Break

13.30-16.30 Toolbox: How to do it?

Cristina Farinha,  On the Move, Information and website coordinator – Building up a coordinated info tool for Funding Opportunities for Mobility in Europe

Riitta Honkanen,  Managing Director, Regional Dance Centre of Eastern Finland – Network of Regional Centres for Dance & their support for dance artists working internationally

Isabel González,  Producer, Dance Arena: Aerowaves FALL FOR DANCE – Touring concept which annually presents European contemporary dance in Finland

Maria Salomaa,  TEKIJÄ project (Finland) – On Tour with TEKIJÄ – Pilot touring possibilities within Theatre Touring Network project 2011-2012

Tomi Purovaara,  Director, CIRKO Center for New Circus – Finnish contemporary circus – tools for the international touring expansion

16.30-17.00 Conclusions and Farewell Drinks offered by Hanasaari – the Swedish-Finnish Culture Centre






Reality Research Center (FIN): STAGED LARCENY: AN EXPERIMENT

Picture: Pekko Koskinen

This operation attempts to steal the fabric of one performance to create another. The theft is conjured by you, our assistants in this crime of fiction.

In order to perform this theft, we reframe our target, a piece called more than enough by Doris Uhlich, kidnapping it to a different context. With the frame we build, the piece will have connotations beyond itself, reasons that stem from our fabrications and falsehoods. In other words: we will lie and you will interpret.

Staged Larceny is a part of Reality Research Center’s year-long Theft-project, which explores the possibilities of theft as an art form.

Pekko Koskinen is a designer of reality games who also plays around with various forms of art. His works include fictional religions, ways of living and made-up societies among others. Most of these operations place within life at large, outside the traditional representative formats. He’s a member of Reality Research Center that is a performing arts laboratory based in Helsinki, Finland. Consisting of artists from different fields, RRC questions both common and personal senses of reality and creates events that are simultaneously works of art and tools of research.

Producers: Reality Research Center & Baltic Circle

CREDITS

Main Suspect (Forgery, Kidnapping and Pilfery): Pekko Koskinen

Partner in Crime: Gabriel Widing

VENUE ON THE MAP








Zachary Oberzan (USA): YOUR BROTHER. REMEMBER?

Photos: Nancy Geeroms, Sylvie Moris & Zachary Oberzan

Zachary Oberzan and his brother Gator spent their childhood in a way typical to American children, making funny home-video parodies of their favorite movies. Among their favorites were Jean-Claude Van Damme’s karate film Kickboxer and the notorious cult movie Faces of Death.

Two decades later Zack, estranged from his family, returns to his childhood home to re-film the scenes. Imitating the original home videos, they reveal the bumps and scratches that life has inflicted on the brothers. What is the connection of their story to Van Damme, whose innocent childhood dream of finding true love gets confused in the pressure of fame, drugs and ambition?

Van Damme and Francis Gross, the pathologist from Faces of Death, witness as Zack and Gator step in the boxing ring for the last time. Your brother. Remember? shows home videos and scenes from Hollywood films alongside with the live performance.

“The way Oberzan uses a personal story as an impetus to call up the human condition so striking, makes Your brother. Remember? a little masterpiece.“ — vti.be/corpuskunstkritiek

Working as a film maker, actor, theatre director and a singer-songwriter, Zachary Oberzan is an original member of a New York theatre collective called the Nature Theater of Oklahoma. His video works have been broadcasted in several theaters, art institutes and film festivals across North-America and Europe.

Producers: Kunstenfestivaldesarts 2010, Noorderzon Performing Arts Festival, Grand Theater Groningen & brut Wien

Guest performance appearance is supported by: Austria Federal Ministry for Education, Arts and Culture & Austrian Embassy in Helsinki

CREDITS

Written by: Zachary Oberzan, Gator Oberzan

Directed by: Zachary Oberzan

Cast: Zachary Oberzan, featuring Gator Oberzan on video

Light/sound/video technician: Thomas Barcal

Assistant director/tour management: Nicole Schuchardt/brut Wien

VENUE ON THE MAP






Verk Produksjoner (NOR): BUILD ME A MOUNTAIN!

During the 1940 peace between Finland and Soviet Union, writers Hella Wuolijoki and Bertolt Brecht who was exiled from Germany were sitting on the terrace of the Marlebäck mansion drinking coffee and discussing world peace. They were optimistic, telling stories to each other and creating a utopia in the midst of Europe that was burning.

Build Me a Mountain! combines documentary material and fiction to bring up the still current issue that was the main question Wuolijoki and Brecht examined: “the art of being human in an inhumane and complicated world.”

Verk Produksjoner is an actors’ collective that was founded in Oslo in 1998. The core of the group consists of freelance actors from the Nordic countries: Fredrik Hannestad (NOR), Saila Hyttinen (FIN) and Anders Mossling (SWE). Since 2003 they have worked closely together with the musician Per Platou and scenographer Signe Becker. Verk is known for their epic and expressive form of acting with satirical and political undertones changing swiftly between storytelling, acting and improvisation. Verk performed in the Baltic Circle Festival for the first time in 2007 with their work Ifigeneia.

Production: VERK

Co-Production: Baltic Circle & Black Box Theatre

Supported by: Arts Council Norway, Alfred Kordelin Foundation, Finnish-Norwegian Culture Institute & Nordisk Kulturfond

CREDITS

Written by: Daniel Wedel and Verk Produksjoner

Directed by: Fredrik Hannestad

Cast: Saila Hyttinen, Anders Mossling, Håkon Vassvik

Scenographer: Signe Becker

Music/sound: Per Platou

Light: Tilo Hahn

Photos: Verk Produksjoner

WORLD PREMIERE!

VENUE ON THE MAP






Ojanen & Iivanainen (FIN): FAT BASTARDS

Fat Bastards is a girls’ attempt to grasp the essence of ice-hockey through an off-the-wall lecture. It is a do-it-yourself performance about passion, repulsion and creative destruction. “Football is erotic, ice-hockey is porn.”

In the spring of 2011 girls are peaceful and happy. Then Finland wins the Ice hockey World Championship. Again. This time the girls feel they are somehow left out. They are determined to become a part of the ice hockey race and inhabit the mythical superhero of a world champion. Thus begins a Eurodance journey to the year 1995, when Finland won the previous championship.

Inspired by the hysteria of Finland’s world championship in 1995 and Quentin Tarantino, the girls build a happily frustrated, home-made world of ice hockey. Lovingly they bastardize the national sport of Finland. As is often said, ”If you can’t beat them, join them”.

Anni Ojanen, having graduated from the Theatre Academy Helsinki in 2009, and Hili Iivanainen, graduated in 2010, have worked in several international productions. Ojanen has worked for example in the Von Krahl theatre in Tallinn and Iivanainen as a director and actress in several theatres in Chicago. In the fall of 2011 Ojanen is also working as a director for the Finnish National Theatre. In Finland Iivanainen has directed performances in the city theatres of Turku and Kotka, and Theatre Telakka.

Producer: Baltic Circle

Supported by: Finnish Cultural Foundation, TINFO – Theatre Info Finland, Theatre Academy Helsinki

CREDITS

Written and directed by: Ojanen & Iivanainen

Cast: Ojanen & Iivanainen

Video: Joonas Tikkanen

Photos: Andrea Brandt

Other artists involved: Dorte Olesen, Jouni Tauriainen, Jenni Kääriäinen, Siru Kosonen, Kirsi Gum, Emily Cheeger, Juho Ala- Juuma, Tuomas Timonen

WORLD PREMIERE!

VENUE ON THE MAP






Katariina Numminen / Reality Research Center (FIN): DRAMA RELOADED: YERMA

The project Drama Reloaded: Yerma studies the relationship between drama and reality. The material for the project is Yerma, a play written by Federico García Lorca in 1934. It tells the story of a woman driven to insanity by childlessness. In this project by Katariina Numminen, García Lorca’s tragic poem comes face to face with everyday reality. A team studies the play in different contexts and with different people – people who are touched by, or have a special relationship to infertility. This process gives rise to a performance that brings drama off stage and into the midst of everyday life.

Katariina Numminen is a dramatist and director from Helsinki, in whose work sound, memory, reality and documents play an important role. She works amongst others in Vyborg Artistic Theatre and Reality Research Center. Drama Reloaded: Yerma is a part of the RRC Reloaded program of Reality Research Center.

Producers: Reality Research Center & Baltic Circle

CREDITS

On stage: Niina Hosiasluoma, Antti Jaakola and Kaisa Niemi

Dramaturgy and direction: Katariina Numminen

Assistant director: Venla Korja

Set design and costumes: Paula Koivunen

Light design: Max Wikström

Photos: Jack Balance

WORLD PREMIERE!

VENUE ON THE MAP






Doris Uhlich (AUT): MORE THAN ENOUGH

Photos: Andrea Salzmann

In more than enough Doris Uhlich asks herself and her audience how the body can become a trademark and what this means. Doris Uhlich – who is often called a “corpulent dancer” in newspaper reviews – questions the importance of the outer mantle and the meat underneath the skin. How dominant is the outer image of a body within the reception of a dance performance? Is there such a thing as the perfect body for dance? And finally: Who is beautiful and who isn’t?

In live interviews over the phone Uhlich talks to people whose bodies don’t meet the beauty standards and who have therefore become trademarks. Do these people create such trademarks by themselves or do others do this for them? The Baroque epoch with its urge for overabundance creates the basis for a bodily and textual discussion of flesh and opulence.

Doris Uhlich has taught contemporary dance in several academies, including the Vienna Academy of Fine Arts. Uhlich has been directing her own projects since 2006 and her works have been performed in numerous performing arts venues and festivals across Europe. The Austrian Ministry of Education, Arts and Culture awarded Uhlich’s work SPITZE with the recognition award for dance in 2008.

Producers: Doris Uhlich, brut Wien, Les Subsistance / Lyon

Supported by: Cultural Department of the City of Vienna & Austria Federal Ministry for Education, Arts and Culture

Guest performance appearance is supported by: European Commission & Austrian Embassy in Helsinki

CREDITS

Choreography: Doris Uhlich

Cast: Doris Uhlich, Alice Chauchat and guests

Dramaturgy: Andrea Salzmann, Judith Staudinger

Production: Marlies Pillhofer, Christine Sbaschnigg

Technician: Geri Pappenberger

VENUE ON THE MAP






Kviss Búmm Bang (ISL): SAFARI

Photo: Eydís Björk Guðmundsdóttir

To attend an art festival is quite a challenge. There are a million things to think about and to prepare for. It is important to meet the right people, to know how to quote great works of art, to be able to put on an ambiguous smile in the right places and to know one or two stories from the art business.

Safari offers you an opportunity to enjoy art and culture at the Baltic Circle Festival with 100% results. With the aid of Kviss Búmm Bang’s special guide package, you will be able to maximize your achievements as an art-loving cultural connoisseur, be socially successful and experience things you would otherwise miss out on. Read more






Susiklubi (FIN): HUKKAHUONE


Susiklubi will create a party installation for Baltic Circle Festival Lounge. The Susiklubi collective has refused to share any information about the event. Come anyway.

Susiklubi has been making genre-crossing club events in Helsinki, and once in Hanko, since 2009. The audience is occasionally rewarded, occasionally punished. Sometimes they get to choose between the two.

Photos: Otto Donner

VENUE ON THE MAP